An Apology Long Overdue

I have this memory of a Cumberland High School English class in 1972 where the teacher—whose name I do not recall, but was likely just a few years older than the students— in an effort to be “cool,” asked about our thoughts on the lyrics to the song Thick as a Brick performed by Jethro Tull and written by Ian Anderson.

Instead of forcing us to embrace just the classics of literature, she tried to open our eyes with a more contemporary approach.

I recall only one moment, but it has stuck with me all these years. When asked what I thought about the line, “your wise men don’t know how it feels to be thick as a brick,” my answer was quick and without the least bit of thoughtfulness. 

I said, “it rhymes and fits the music.”

I can still see the disappointment in her eyes. To this day, I don’t know if the disappointment was with me and my callous response or with herself for not being able to reach us on our level..

Still, it has bothered me since.

I now realize many of the songs I grew up listening to carry more than pleasurable rhythms; they contain a wisdom that escaped me at the moment, all to my diminution. Hindsight being crystal clear, I’d like to apologize to that teacher. Better late than never.

Back then, I was often a shining example of “thick as a brick.”

Really don’t mind if you sit this one out.
My words but a whisper – your deafness a SHOUT.
I may make you feel but I can’t make you think.
Your sperm’s in the gutter – your love’s in the sink.
So you ride yourselves over the fields and
you make all your animal deals and
your wise men don’t know how it feels to be thick as a brick.
And the sand-castle virtues are all swept away in
the tidal destruction
the moral melee.
The elastic retreat rings the close of play as the last wave uncovers
the newfangled way.
But your new shoes are worn at the heels and
your suntan does rapidly peel and
your wise men don’t know how it feels to be thick as a brick.

Thick as a Brick by Ian Anderson

Ian Anderson’s brilliant writing contained more gems that may have escaped me at the moment, but have since revealed themselves. Over the years, I have struggled with the simplistic, if well-intentioned, indoctrination in the Catholic Faith of my youth.  As I expand my appreciation for the almost infinite varieties of religious tenets, I’ve also come to see how they are more similar than different. This similarity precludes any of them from exclusivity with the truth.

The demands of a god for devotion and worship. The claims of physics-defying miracles occurring always absent any independent method of verification except eyewitnesses, the least reliable form of evidence. The almost exclusive male dominance of the hierarchy. The gender-specific rules for what to wear, how to worship, and who can lead a congregation.

Once again, Anderson’s writing offers some answers. In the lyrics of Wind-Up, Anderson wrote,

I don’t believe you:
You had the whole damn thing all wrong
He’s not the kind you have to wind up on Sundays
Well, you can excommunicate me
On my way to Sunday school
And have all the bishops harmonize these lines
How’d you dare tell me
That I’m my Father’s son
When that was just an accident of birth
I’d rather look around me
Compose a better song
‘Cause that’s the honest measure of my worth

Wind-Up by Ian Anderson

While most people are sincere in embracing their religion, even if they are somewhat less than consistent in its practice, they seem to miss the point that their faith was indeed “an accident of birth.” If that were not the case, we would offer our children an opportunity to learn about all religions and let them, “Compose a better song, ‘Cause that’s the honest measure of my worth.”

But that’s not what we do. Some have compared religion to a virus. One is exposed and develops the illness, then spreads it to others in proximity.  Some find this comparison offensive because they see malicious intent.  But nothing could be further from the truth. We have all unintentionally infected others with germs, not through intentional acts but through regular daily interaction.

No different than how religions are spread. While some convert from one religion to another, that happens when they are inoculated from the feverish philosophy of one religion by the vaccine of another.

Religion has its place in humanity. But when one religion is pitted against another, or integrated into government’s secular operation, the potential for religious orchestrated pogroms rises.

In this country, many would claim we are a Judeo-Christian based society with no room for Islam, Buddhism, or any other “foreign” religion. Some would argue we don’t need to include the Judeo part because Christianity is the one true faith.  The Catholic faith doctrine is more specific; if you are not baptized, confirmed, and fully committed to Catholicism, you cannot enter heaven.

This seems a bit presumptuous in light of the 4000-plus religions that have claimed to be the only truth at one time or another.

Anderson wrote it, and that teacher put it out there for me to see all those years ago. I just chose to close my mind to the possibilities—something I see in those who refuse to accept other religions’ equal validity.

All those years ago and the disappointment on that teacher’s face still lurks in my memory. I have no idea if she is even still around. But I wanted her to know the seed she planted finally germinated and broke through the brick of my ignorance.

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Why Do All These Old People Know the Lyrics to My Favorite Songs?

The other day, while shopping for a few items at a local grocery store, the ambient music playing in the background was Pinball Wizard by The Who.

An ancient looking guy walked by, playing air guitar and singing EVERY SINGLE WORD to the song. At first, I was impressed with this older generation’s appreciation of the peak of the Rock ‘n’ Roll era.

Then I started to wonder.

But my mind drifted back to my original purpose and the thoughts receded… for the moment.

The music in this store seems controlled by whatever manager is in charge. One has a distinct preference for country music, another loves jazz, and one loves classic rock.

HendrixAs the final notes of Wizard faded, the distinctive Jimi Hendrix guitar from Purple Haze took over.  Within minutes a woman who looked to be older than dirt came by mouthing the words.

What is this sorcery?

How can all these old people know the songs of my youth so intimately?

It’s one thing to dance to the rhythm of the music, it’s an entirely different matter, one shocking to the soul, that they KNEW the words.

I decided that it must have been the older generation’s surrender to reason. Where once they didn’t appreciate the music, they have now resigned themselves to embracing it in their dotage.

That’s the explanation I’m going with. Nothing else makes sense.

Hey Joe, where you going with the gun in your hand?


History and Future: The Window of Lyrics

Music has always been an important part of my life. Serving as a soundtrack, memory anchor, and source of entertainment and inspiration.


I am always fascinated by the way the human mind works, memory in particular.

Memory is a mystery. I often cannot recall things I did mere moments ago, yet I can recall the lyrics of songs I haven’t heard in decades.

The lyrics of the songs which have most influenced my life seem to lie just below the surface of my conscious brain, waiting for the first few notes of the melody to bring them bursting forth. I wonder if every generation has such memories.

This got me thinking of the lyrics of songs that made it to the top of the charts over the course of my lifetime. Curious if there was some commonality in the lyrics that made them resonate with us.

Looking at these revealed some interesting things.

I wonder if music, along with economics, social attitudes, and incarceration rates, can measure the health of a society.

I think the sixties marked the emergence from the euphoria of the victorious end of WW II and launched a new era.

In 1956, the year I was born, the number 1 hit was Heartbreak Hotel by Elvis Presley. He holds the number 1 and 2 position for that year. I dare say Elvis resonates with many, foreshadowing the shift in American society coming just over the horizon of the 60’s.

In 1960, the number one song was The Twist.


Come on baby
Let’s do the twist
Come on baby
Let’s do the twist
Take me by my little hand
And go like this

Ee-yah twist
Baby, baby twist
Ooh yeah, just like this
Come on little miss and do the twist

My daddy is sleepin’
And mama ain’t around
Yeah, daddy just sleepin’
And mama ain’t around
We’re gonna twisty twisty twisty
Till we tear the house down

Once again, the opening lines of a change in the air. Still focusing on the pleasures of music and the freedom to let oneself go as you “…twisty twisty twisty. Till we tear the house down.”

The number 2 song of the 1960’s was Hey Jude and number 3 was Theme from a Summer Place. Of these three, it is the melody and lyrics of number 3 that resonate with me.

There’s a summer place
Where it may rain or storm
Yet I’m safe and warm
For within that summer place
Your arms reach out to me
And my heart is free from all care
For it knows…

…And the sweet secret of a summer place
Is that it’s anywhere
When two people share
All their hopes
All their dreams, all their love

The decade of the seventies, an important one for my friends born in 1956, began with one of the most iconic songs of all time.

Bridge over Troubled Water

…When you’re weary, feeling small
When tears are in your eyes, I’ll dry them all (all)
I’m on your side, oh, when times get rough
And friends just can’t be found
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

When you’re down and out
When you’re on the street
When evening falls so hard
I will comfort you
I’ll take your part, oh, when darkness comes
And pain is all around
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

The decade, from my perspective, didn’t end well musically. The number 1 song of 1979 was My Sharona. I had to look up the lyrics. The only part I could remember was the repetitive chorus.

…Never gonna stop, give it up, such a dirty mind
I always get it up, for the touch of the younger kind
My, my, my, aye-aye, whoa!
M-m-m-my Sharona
M-m-m-my Sharona

Hints of the descent into a dismal creative hell. Less elegant lyrics written without heart and soul.

1980, the beginning of the next decade, led off with a mixed bag. The number 1 song was Call Me by Blondie.

Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I’ll never get enough
Emotions come, I don’t know why
Cover up love’s alibi

Just doesn’t have the same effect as “Like a bridge over troubled water.” There was a hopeful sign with the number 2 song Another Brick in the Wall by Pink Floyd, but by the end of the decade, the descent was out of control.

The number 1 hit of 1989 was Look Away by Chicago. Now I have always loved the music of Chicago, but this was not the same band. Cetera had left the group; the outstanding horn elements were missing. And the lyrics? Once again, I had to look them up.

When you called me up this mornin’
Told me ’bout the new love you found
I said, “I’m happy for you, I’m really happy for you”

Found someone else
I guess I won’t be comin’ ’round
I guess it’s over, baby
It’s really over baby, whoa…

A far cry from Does Anybody Really Know What Time It Is?

By 1998 the demise of civil society was in full, raging rampage. Here are the lyrics to a song from that year. The song is called Ho. If this invokes a Christmas Carole theme in your mind, the words will dispense of it forthwith.

The artist is called Ludacris. And the lyrics? Well, they “speek fo demselfs.”


…You doin ho activities
With ho tendencies
Hos are your friends, hoes are your enemies
With ho energy to do whacha do
Blew whacha blew
Screw whacha screw
Yall professional like DJ Clue, pullin on my coat tail
an why do you think you take a ho to a hotel?
Hotel everybody, even the mayor
Reach up in tha sky for tha hozone laya
Come on playa once a ho always
And hos never close they open like hallways
An heres a ho cake for you whole ho crew
an everybody wants some cuz hoes gotta eat too

Somehow, I don’t see those lyrics inspiring anyone. If they are the soundtrack of the lives of some of our fellow Americans, then perhaps there is something to be learned in the words and melodies of our music history.

Everyone’s taste is different. A style that uplifts one may annoy another. There’s plenty of room in the world for all types of music. Every word written as a part of music doesn’t need to inspire or uplift or even be memorable.

Sometimes, just a catchy tune with simple lyrics is enough.

Yet, when we look at the overall level of literacy and language used within music. When we compare what once filled the musical airways with what came later. We may see something reflective of society.

And we may not like what we see.


The Day the Music Died, again.

I was saddened to hear of Keith Emerson’s passing. The music of ELP was big part of my youth. Every generation believes the music of their time to be the best. It resonates in our memories.

Yet I think the music of that time has few equals, certainly not the misogynistic trash that plays to the worse of human nature which passes for music today.

I wonder if Keith realized how much his virtuosity on keyboards and his groundbreaking use of synthesizers touched us all. Each of the musicians who comprised ELP, Keith, Greg Lake, and Carl Palmer were amazing talents whose music was both innovative and timeless.

It is the mark of an artist when their work continues to live in our memories.

I wonder if he realized that all it takes is the first few notes of any ELP song to transport me back to my age of innocence. How the words and music to this day play in my memory.

He had white horses
And ladies by the score
All dressed in satin
And waiting by the door

The lyrics may be open to interpretation, the pleasure of the music nonetheless magical.

Why a person chooses to end their life is oft-shrouded in mystery and misunderstanding. Perhaps if he knew the effect his music had on so many people, he would have realized he was indeed a Lucky Man.10447_ELP_ELP_300

The Myth of Memory

What is it about memory? Why is it I can recall some things with absolute clarity while others, no matter the effort, flee from my mind the moment after they enter?

Sitting at my writer’s desk, working on my latest project, I tried to recall a great idea I had for the story. Normally I write these things down because of this trick of memory. However, in this case, I did not. It was brilliant, it was creative, it was wonderfully imaginative, and it was gone.

Hoping to revive the dormant brain cells, I decided to change the mood and put on some music. I usually write to soft classical or new age music, but in this case, I decided on something more upbeat.

I chose Chicago’s first album. As soon as the first song, called Introduction, began, I instantly recalled all of it. A little background here. Way back in 1974 some friends and I put together a band. (Someday I am going to buy an old police car, round up my old friends, and announce “We’re putting the band back together!” but I digress.)

Anyway, one of the places we performed was for the Lincoln High Senior Talent Show (most of the band went to Lincoln but they had to bring in my Cumberland High virtuoso guitar talents to round out the group.)

We played the Chicago song, Introduction. As the song now plays on my computer, I recall every beat, chord change, brass solo, percussion background, bass line, and lyrics. Forever fixed in my mind.

Why? None of us ever made it to the Grammies. While the others were talented musicians (now that I think of it, I may have been selected because my family had a station wagon that could carry the equipment) no one pursued a musical career.

Yet I recall every note from that night more than 40 years ago. Nevertheless, try as I might, I could not recall the idea I had just yesterday.

Memory is a fickle thing.

It changes things as suits it, locks some things in, and tosses others away.

Our memories are made of the important, the unimportant, the poignant, the bittersweet, the happy, the sad, those that bring smiles, and those that bring tears.

We try to hold onto them, but some things are outside our control. Memory is like a myth we hold onto no matter how much it lets us down.